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About Us

DLHERO STUDIOS

About Us

501(c)(3) Educational Entertainment Nonprofit | Washington D.C.

Who We Are

DLHERO Studios

DLHERO Studios is a Washington D.C.-registered 501(c)(3) nonprofit educational entertainment organization producing content that empowers communities through innovative storytelling, media literacy, and truth-driven programming. We are the public-facing creative arm of a fully integrated media infrastructure built from the ground up by founder Joshua Robert Castaneda (REVJC) — an IP Systems Architect, filmmaker, music producer, composer, and educator based in Hollywood, California.

Our programming spans educational puppet series (DLTUTOR), free-speech documentary film (KANEH MOVIE), public service announcements, multilingual music across 10 languages, and a growing cinematic universe of 100 fully developed film projects. Everything we produce is rooted in one organizing principle: to facilitate a journey for others to find The Truth.

Organization Facts

Entity DLHERO STUDIOS 501(c)(3)
EIN 93-2970781
Registered Washington D.C.
Founder Joshua Robert Castaneda (REVJC)
Parent DLHERO LLC → ENTH3 LLC (Wyoming)
Programs DLTUTOR | PSA Series | KANEH MOVIE
Funding Grant-funded + Donations + Partnerships
Streaming DLHERO.com | Amazon + DLHERO.com
Address 1717 N St NW Ste 1, Washington, DC 20036

The Founder

From Blueprint to Frame

The Story of Joshua Robert Castaneda — REVJC

Joshua Robert Castaneda grew up in Alexandria, Alabama — a small town where the closest thing to film school was a drafting table. He graduated with honors from Alexandria High School with a career technical endorsement, driven by a dream of animation and cinema but surrounded by an educational system that offered blueprints, not screenplays. So he mastered blueprints.

At Calhoun County Career Technical Center and later Ayers State Technical College in Anniston, Alabama, Joshua earned his Associate of Arts in Architectural Drafting and Design. He learned to think in precision — to see three-dimensional space on a flat page, to anticipate load and structure, to design for human use. What he didn’t know yet was that every architectural skill he mastered would one day become the foundation of his filmmaking language: composition, spatial logic, structural narrative, and the discipline to build something that would stand.

AutoCAD paid the bills. He became a sought-after CAD consultant across Southern California — drafting architectural and topographic surveys, designing engineering systems, creating product lines for companies like Ricardo of Beverly Hills. His work appeared in engineering offices, surveying firms, and industrial facilities. The precision demanded by technical drafting — the kind where a fraction of an inch determines whether a building stands — became the lens through which he would eventually frame every scene, every story, every beat.

Meanwhile, he studied journalism at the Calhoun County Times in Anniston, learning to develop story ideas, manage editorial production from concept to press, and communicate with communities in crisis and triumph. He moved West. He worked at Arch Enemy Entertainment in North Hollywood, developing and marketing digital media campaigns — including Tyrese Gibson’s Mayhem iTunes LP — learning the infrastructure of the entertainment industry from the inside out.

Then came three film schools. He studied Digital Design and Production at College of the Desert, then pursued the Digital Film Program at Los Angeles Valley College, and finally enrolled in Film and Television Producing at Columbia College Hollywood in Tarzana — where the love of movies he had carried since childhood finally had a professional framework. He studied acting. He studied directing. He studied the architecture of narrative — and found that the skills were the same. A CAD blueprint and a film script are both documents that describe a world that doesn’t yet exist, built with precision, waiting to become real.

“I didn’t get the animation school. I got the architecture school. And it turned out to be exactly what I needed — because every frame is a room. Every story is a building. You have to know what holds it up.”

Today, Joshua Robert Castaneda operates as REVJC — a producer, composer, songwriter, filmmaker, and IP Systems Architect running a vertically integrated media empire spanning multilingual music (2,390 tracks across 59 albums in 10 languages), a 100-title cinematic universe, 32 custom-built puppet characters, and DLHERO Studios — the 501(c)(3) nonprofit that makes his educational mission publicly accessible.

He operates through a proprietary legal structure — DLHERO LLC → ENTH3 LLC — that owns 100% of all intellectual property, and holds full professional industry registrations across PRO, publishing, and distribution. He serves as California Chair of the National Industrial Hemp Coalition and is a Reverend and Healing Minister. He is a survivor, a builder, and a vessel of honor — committed to facilitating a journey for others to find The Truth through creative excellence.

Education Timeline

Alexandria High School

Alexandria, Alabama — Honors Graduate

Calhoun County Career Technical Center

Jacksonville, AL — Drafting & Design

Ayers State Technical College

Anniston, AL — A.A. Architectural Drafting

College of the Desert

Palm Desert, CA — Digital Design & Production

Los Angeles Valley College

Valley Village, CA — Digital Film Program

Columbia College Hollywood

Tarzana, CA — Film & Television Producing

Career Highlights

★ CAD Consultant — Ricardo of Beverly Hills, Advanced Engineered Solutions
★ Journalist — Calhoun County Times, Anniston AL
★ Digital Media — Arch Enemy Entertainment, North Hollywood
★ Marketing — Tyrese Gibson Mayhem iTunes LP
★ Founded ENTH3 Publishing + DLHERO LLC
★ BMI Registered Songwriter & Publisher
★ Worldwide ISRC Registration
★ California Chair, National Industrial Hemp Coalition
★ 2,390 Music Tracks | 59 Albums | 10 Languages
★ 100-Title Cinematic Universe
★ 32 Custom Puppet Characters

Contact

[email protected]
(818) 824-8399
1717 N St NW Ste 1
Washington, DC 20036

What Drives Us

Three Rings of Community Impact

Inner Ring

Cannabis entrepreneurs, First Amendment activists, hemp researchers, and truth journalists — offered platform, distribution, and credibility.

Middle Ring

Independent artists, puppeteers, animators, 3D artists, and filmmakers — offered production infrastructure and ENTH3 Publishing administration.

Outer Ring

Educational institutions, nonprofits, faith communities, and community organizations — offered DLTUTOR content and 501(c)(3) partnerships.

Part of the REVJC Media Ecosystem

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